What do you think of when you think of Salmagundi? “Serious”? High culture? Belletristic? Sure, all those things, plus what you might not expect. Read our new issue — #220-221 — to confirm and shake up your sense of Salmagundi.
The new issue includes items on a wide variety of subjects and features essays, columns, an interview and memoir: West Side Story / Nobel laureate J.M. Coetzee (a long interview) / On Bees / Jeffrey Meyers on “writer’s writer” James Salter / A Park Avenue memoir / Martin Jay on Black Art / The Gay Hussar / The Martyr, a story by Mary Gordon / A memorial tribute to poet Barry Goldensohn / The Films of Jordan Peele (inaugural column from our film critic Sam Kahn)
What do you think of when you think of Salmagundi? “Serious”? High culture? Belletristic? Sure, all those things, plus what you might not expect. Read our new issue — #220-221 — to confirm and shake up your sense of Salmagundi.
The new issue includes items on a wide variety of subjects and features essays, columns, an interview and memoir: West Side Story / Nobel laureate J.M. Coetzee (a long interview) / On Bees / Jeffrey Meyers on “writer’s writer” James Salter / A Park Avenue memoir / Martin Jay on Black Art / The Gay Hussar / The Martyr, a story by Mary Gordon / A memorial tribute to poet Barry Goldensohn / The Films of Jordan Peele (inaugural column from our film critic Sam Kahn)
What do you think of when you think of Salmagundi? “Serious”? High culture? Belletristic? Sure, all those things, plus what you might not expect. Read our new issue — #220-221 — to confirm and shake up your sense of Salmagundi.
The new issue includes items on a wide variety of subjects and features essays, columns, an interview and memoir: West Side Story / Nobel laureate J.M. Coetzee (a long interview) / On Bees / Jeffrey Meyers on “writer’s writer” James Salter / A Park Avenue memoir / Martin Jay on Black Art / The Gay Hussar / The Martyr, a story by Mary Gordon / A memorial tribute to poet Barry Goldensohn / The Films of Jordan Peele (inaugural column from our film critic Sam Kahn)
